Narrated

Markus Zusack’s The Book Thief is a great read for many reasons – it’s a different perspective on the horrors of war as lived out in World War II Germany, it’s centered on an orphan girl, and the street she lives on is named Heaven (Himmel). The most interesting part is the narrator who tells the tale: Death.

Death notices Liesel Meminger when she steals a copy of The Gravedigger’s Handbook (after her toddler brother died). What is a young girl going to do with a book like that? Then Death notices as Liesel steals more books throughout her childhood – one from a bonfire burning books outlawed by the Nazis, and several from the library of the mayor’s wife. Death notices Liesel because of the thefts, but then because of her life. Why steal books, and why steal books that aren’t the usual fare read by young girls?

I’m not advocating book thievery, but there’s something to grabbing onto anything that speaks of ages/places/people/professions/ideas beyond what daily life and expectations bring. In dark times, when fear robs people of their basic humanity, stealing a little of that back seems a daring and justified act. Death, largely uninterested in how humans live, noticed and found something worthwhile in it, something that revealed a life truly lived.

What marks the difference between existing for a number of years and truly living those years? Philosophy and religion have pondered and expounded on this question. God, self, neighbor. Love. Hope. Faith that things can be better – and working toward that better. Perhaps stealing a book or two…

Time to Go

How do we know when it’s time to leave the work that has been such a meaningful part of our adult lives? How do we help others make that move?

One of the graces of my meaningful work has been the opportunity to foster the gifts of coworkers – and to seek out and encourage those who will continue whatever work I held dear. When I leave, I hope people are glad that I was there; if I’ve done my work well, they will continue on without missing a beat (as an individual I’m as irreplaceable as anyone, but many others can take my work to new and wonderful places). But leaving has always been a choice, never because I was asked to go or because I could no longer do my work.

Now I’m in my early 60’s. The next leaving may well be because staying would burden rather than bless my coworkers. Over the past few years, I’ve seen people who’ve made the transition well, leaving behind a legacy of care and a firm foundation for the next generation of workers who will build on it in their own unique ways. More often, I’ve seen people refuse to give an inch of their territory or power; instead of fostering the next generation, they create obstacles. I’ve seen people forced into the next stage, often in humiliating ways and without compassion. And I’ve seen resentment, in the person refusing to leave and in those whose own work is made more difficult because of that refusal.

It’s a difficult task, letting the work of decades die a good death; it can be hard seeing and embracing the life beyond it. It’s equally challenging to support others who need to let go of theirs.

The truth that gives me hope: every time I’ve let go of a life stage, there’s been another waiting for me, full of new gifts and challenges. I need to trust in the holiness of the whole of life – the first parts through the last. I need to trust that leaving when it’s time to go, or helping another to do so, isn’t something done alone. God’s loving presence will remain and sustain when it’s time to go.

Clean Up Your Own Mess

I took my husband to the New England Aquarium yesterday – the first time I’d been there since the 1980’s. The penguins were the first thing I saw, then the sea lions, then the big center tank and the smaller ones on the outside walls surrounding it. Aquatic life – in fresh, salt, and brackish water – comes in such variety and beauty, and it’s breathtaking. The plaques informing guests how much of that life is endangered are breathtaking as well.

While we took it all in, two divers were busy cleaning the center tank with brushes and a vacuum. Another was wading in the penguin habitat, sucking algae and poop off its bottom. Without constant cleaning and maintenance, the residents would sicken and die – something else that was noted on a plaque.

Rescuing injured mammals, breeding programs for fish in danger of extinction, releasing to the wild those who can survive and taking good care of the ones that cannot: it’s cleaning up a mess humans have made. It isn’t glamorous work; it’s physically demanding as well as a strenuous research endeavor. Both are necessary.

It’s a life lesson for me. I can’t escape the sheer physical work of leaving the planet in better shape than when I arrived on it. I also can’t dodge the necessity of the learning side of it. Not all my time, perhaps not even the majority of my waking hours, can be spent on my own hobbies and interests. Life, and life more abundant, requires something more of me than a spare thought, a half-hearted effort, and a symbolic gesture.

For more on this, visit the New England Aquarium via website – or in person! www.neaq.org.

Faith in Hand

St. John the Baptizer

It was a Christmas gift: a one day retreat workshop on creating icons with transfers – workshop because it was hands-on, retreat because creating icons is a profoundly theological prayer practice. The other participants all had some background in art, from college minors to art school grads to experienced iconographers. For them, picking up the brush was easy – it was the praying part that was challenging. For me, the praying part was easy – it was picking up the brush that was challenging.

Finding the Lines

Our teacher, Marek Czarnecki, told us that creating icons (writing/painting – he wasn’t fussed about the term) is a process of making our prayers something physical and beautiful through our hands. Through those brushes, a personal prayer becomes a beautiful means of prayer for others. The prayer for creating icons: Lord Jesus Christ, Son of God, have mercy on me, a sinner. The Jesus Prayer.

Marek said more than once that creating an icon was a matter of self-confidence and justification. We needed to trust in our ability to do the work and accept that the time and energy devoted to this prayer practice is justified (not selfish or merely a hobby).

I didn’t doubt that a spiritual practice was justified – I’ve set aside the time for decades. I very much doubted, and still do, that an icon will come from my brush. The others struggled with the exact opposite issue – no doubt about the ability to create but doubtful that taking the time to do so was justified.

At the end of the workshop, all of us had created a transfer pattern of the icon of Saint John the Baptizer as a spiritual practice. Here’s mine:

Transfer

It’s not clean enough to be the basis for an icon, and I didn’t finish half of his mustache, but it’s the first time I’ve tried to pray with a paint brush (creating Celtic knots with gel pens is as close as I’ve gotten). I haven’t figured out how to turn what I see and what I pray into ink on acetate. But I can see the underlying structure, the lines that form the basis of an icon, in a way I never did before. I got the chance to learn from someone whose prayers and talent come together to create icons – beauty that draws us into God’s embrace. I doubt there could be a better way to spend a Saturday in June…

[The workshop was on Ender’s Island, in Mystic, Connecticut – home of St. Edmund’s Retreat. www.endersisland.org. Marek Czarnecki leads many workshops here.]